《回程667》由新加坡五位年轻导演（邓宝翠、何书铭、陈敬音、廖捷凯，以及张峻峰）所执导的五个短片组成，透过不同视角对自身文化根源进行探寻、反思和诠释，同时也寻找对新加坡的归宿感。 《回程667》: 《夜曲》- 廖捷凯 《武松杀嫂》- 陈敬音 《两地书简》- 何书铭 《客》- 张峻峰 《柳影袈裟》- 邓宝翠

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A family man becomes obsessed with his front door neighbor. Slowly he gives up work and forgets about anything asides his obsession. Only a murder inside the family will be able to restore normality. A dark comedy with painful truths being played inside the family.

The city of Vyshny Volochyok: broken roads, snow and fog. The car service station in the suburb of the town where Olya and Vadim live and work, and love each other. Both are well in their thirties, they are simple and serious people, they share the ups and downs in their lives, until a third, superfluous party intrudes: the Internet.

Howard and Nicopernicus take a trip back to Nilbog to contend with zombies, vampires, and the dreaded Dr. Nochas in this sequel to Alucard and Shadow Hunters director John Johnson's outrageous horror comedy. There's blood and boobs to spare as the viewer crosses back into the town where nightmares are made, and characters break into song after soiling themselves.

Russian couple Olya and Vadim have big plans: they want to travel to Germany to buy a second-hand tow truck. For nights on end, Vadim searches the internet for a vehicle best suited to their garage. His only income at present is from the wrecked Ladas which career off a dangerously deceptive road outside the village. This 'Road of Death' symbolizes the place where Olya and Vadim live: a Russian no man’s land that never has adequate connections with the rest of the world. The logic of this world goes crazy when Vadim accidentally comes into contact with a WebCam girl from Georgia. To illustrate the confusion that follows: it isn’t clear to Vadim at first whether she is from the country Georgia or the US state, although it doesn’t make much difference to him anyway. He falls madly in love with the young woman whom he has not actually seen yet. Cut into short, comic chapters with ironic titles, Sheena667 focuses on the increasing alienation of Vadim from his original surroundings. He has his head in the clouds, while real life thunders on around him. In his directing debut, Grigory Dobrygin always portrays Vadim’s doomed romance with a dose of irony and a touch of absurdism. Even though the comedy hides a tragic story below the surface of a man who is completely unprepared for the impersonal, money guzzling effect of globalisation and the associated internet economy.

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